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Vyacheslav Artyomov - ELEGIES (VBR)
Type:
Audio > Music
Files:
7
Size:
112.62 MiB (118094606 Bytes)
Uploaded:
2005-09-12 08:58:37 GMT
By:
MALAI
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Info Hash:
A97810F95C1FCF8315C79BC40CA7C6203E5DAC57




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Vyacheslav Artyomov (*1940) - ELEGIES

Album Works


1. Lamentations
Music Work Note: Ver: Instrumental
Musical Period: 20th Century
Recording Date: 1987
Recording Type: Studio
Runtime: 12 min. 35 sec.
-Composer: Vyacheslav Artiomov (1940 - )
-Ensemble: Moscow Philharmonic Orchestra
-Conductor: Dmitri Kitayenko
-Music Performer: Oleg Yanchenko-Organ

2. Gurian Hymn
Form/Genre: Hymn
Musical Period: 20th Century
Recording Date: 1987
Recording Type: Studio
Runtime: 13 min. 41 sec.
Listen: Gurian Hymn
-Composer: Vyacheslav Artiomov (1940 - )
-Ensemble: Moscow Philharmonic Orchestra
-Conductor: Dmitri Kitayenko
-Music Performer: Evgeni Smirnov-Violin
-Music Performer: Tatiana Grindenko-Violin
-Music Performer: Yelena Adjemova-Violin

3. Symphony of Elegies
Form/Genre: Elegy / Symphony
Musical Period: 20th Century
Recording Date: 4/1983
Recording Type: Studio
Runtime: 43 min. 36 sec.
Listen: Symphony of Elegies
-Composer: Vyacheslav Artiomov (1940 - )
-Ensemble: Mark Pekarsky Percussion Ensemble
-Conductor: Saulius Sondeckis
-Music Performer: Oleh Krysa-Violin
-Music Performer: Tatiana Grindenko-Violin 
(divided on CD into 3 parts) = on CD 5 tracks total

V. Artyomov:
Born
29 June 1940 in Moscow.
Education
Artyomov started studying physics at the University of Moscow. He decided to change and studied composition under Sidelnikov at the Tchaikovsky Conservatory in Moscow, where he graduated in 1968. He was (with Sofia Gubaidulina and Viktor Suslin) the founder of the Improvisationsensemble ?Astreya".
Style
The style of the first composition of Artyomov were neoclassical. Then he discovered the folkloristic style of Russian, Caucasian and Mid-Asian people. His style developed in a free-rhythmic, polytonal way. Sometimes he approached the minimalistic style. Last years Artyomov' compositions are in a mystic-religious style.
(Onno van Rijen 2002)